antiAtlas of Borders (FR)


Isabelle Arvers
Heroic Makers vs Heroic Land

2016
– video machinimas

Isabelle Arvers in an author, art critic, and independent curator. The scope of her work is realized in the immaterial sphere, through the relations between art, video games, the Web, and new forms of images related to networks and digital imaging. She is a machinima (movies realised with video games) specialist, in France and worldwide. In 2005 she began to design machinima programs for festivals and museums.

http://www.antiatlas.net/blog/2016/03/25/heroic-makers-vs-heroic-land/

Since 2009, she organizes machinima workshops for youngsters and art students. After conducting more than a hundred workshops in France and worldwide, she directed her first machinima video in 2012, and since then realises many videos with video games engines. In 2016, she associates with the dancer Tidiani N’Diaye to design a performance dance and machinima: Bazin. She also associates with the pianist Nathalie Négro, from PianoAndCo, to present a creation piano and video games, Cross by, at the Salins theater in Martigues.

www.kareron.com/isabelle-arvers/
www.isabellearvers.com

 

Joana Moll & Cédric Parizot
The Virtual Watchers

2016
– interactive net-based installation

Virtual Watchers is an on-going research project at the intersection of art, research and technology that questions the dynamics of crowdsourcing at contemporary state borders. It focuses on the exchanges that occurred within a Facebook group that will be called here the RedServants, in order to protect there anonymity. This group gathered American citizens that volunteered to monitor US-Mexico border through an online platform that displayed live screenings of CCTV cameras. The declared aim of this operation was to bring American citizens to participate in reducing border crime and block the entrance of illegal immigration to the US. This artwork offers an interactive window that allows the public to dive into the conversations, jokes, and questionings of the RedServants. By doing so, it highlights to what extent the emotional investment and exchanges of these people work as an essential mechanism in the construction and legitimization of a post-panoptic system. Second, it underscores the disfunctionality of this system of surveillance that fails to provide an efficient tool for monitoring border trespassing.

Joana Moll is an artist and researcher based in Barcelona. Her work critically explores the way post-capitalist narratives affect the alphabetization of machines, humans and ecosystems. Her main research topics include communication technologies and CO2 emissions, virtual civil surveillance and language. She has presented her work in several museums, festivals, universities and publications around the world. Furthermore, she is a member of the transdisciplinary research project Antiatlas of Borders and co-founder of The Institute for the Advancement of Popular Automatisms. She is a visiting lecturer at Vic School of Art and a lecturer at VIT Lab in Vic (Barcelona).

http://www.janavirgin.com

Cédric Parizot is a researcher in anthropology at the Institute of Research and Studies of the Arab and Muslim Worlds, (CNRS/Aix Marseille University). His research focuses on mobility and border control mechanisms in the Israeli-Palestinian spaces. Since 2011, he is the coordinator of the antiAtlas of Borders project. He sees the integration of artistic practices and digital technologies into ethnographic research as a way to reappraise critically his own practices of modelization of knowledge.

Technical Development: Ramin Soleymani
Freelancing software developer and media artist. Worked in computer science research for a while, before starting to dive into open education and the hacking culture of Berlin. Is convinced that the ivory tower of science will crush if you just drill long enough at the very same spot with your little finger.

 

Portrait Photos: Sonia Chanel






EU KULTURA

Project RISK CHANGE (2016–2020) is co-funded by the Creative Europe Program of the European Union.
The project is also supported by the Municipality of Maribor and the Ministry of Culture of the Republic of Slovenia.
"The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors,
and the Commission cannot be held responsible for any use which may be made of the information contained therein."


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